“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”
“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”
“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”
Mike Hahn, Executive Creative Director at Ogilvy New York
Agency: Ogilvy New York
Executive Creative Directors: Mike Hahn, Ryan Blank
Creative Directors: Chris Rowson, Bastien Baumann, Lucas Carmago
Directors: Geoff Levy, Justin Bettman, Sam Sulam
Designer: Robyn Makinson
Accounts: Ryan Laird, Katie Connolly, Brendan McGrath, Alexandra Wallace
Senior Producer: Jessica Fiore
Production: Ars Thanea
Creative: Łukasz Zabłocki, Zuza Słomińska, Peter Jaworowski
Script: Łukasz Zabłocki, Zuza Słomińska
Director: Łukasz Zabłocki
DOP: Kajetan Plis
Art Director: Zuza Słomińska, Łukasz Zabłocki, Marcin Kowalski
Set Design: Zuza Słomińska, Aleksandra Gimla
Edit: Łukasz Zabłocki
Color: Łukasz Zabłocki, Frederick van Eeden
Music: Envee
Studio & Motion Control: Bites.
Executive Creative Director: Peter Jaworowski
Producers: Marcin Molski, Marta Król
Shooting board: Michał Lisowski
Production Manager/Set Manager: Marta Król
2nd Production Manager: Tomasz Wachnik
Making of: Only Only
Business Development: Erik Semmelhack
We would love to keep you updated
We would love to keep you updated
We would love to keep you updated
New York
41 Flatbush Avenue
Brooklyn, New York 11217, USA
+1 332 331 8730
newyork@arsthanea.com
Warsaw
ul. Dziekońskiego 3 (Building B2, 4th floor)
00-728 Warsaw, Poland
+48 530 000 795
warsaw@arsthanea.com
Inquiries
Marta Krol
Head of Operations
+48 530 000 795
marta.krol@arsthanea.com
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