Corteva Agriscience
— Logo Reveal

Corteva Agriscience
— Logo Reveal

Corteva Agriscience
— Logo Reveal

Client: Ogilvy USA
Brand: Corteva Agriscience

Client: GTB Asia Pacific
Brand: Ford
Photographer: John Roe

Together with Ogilvy USA, we had a pleasure to create branding video revealing Corteva Agriscience logo. The agriculture company was born this year with leading positions in Seed Technologies, Crop Protection, and Digital Agriculture, so the video had to be as blooming as Corteva itself.

Together with GTB Asia Pacific and Redorfe, we worked on “The First Ever Ranger Raptor” campaign. The photos taken on the deserted outskirts of New Zealand’s countryside were taken by John Roe and passed to us for the final touch – retouch.

The Ranger Raptor – called by its creators “The Monster” – enters the scene while emerging from grey dust of boosting stones. Our main goal within this project was to depict the tiniest details of the rocky landscape and reflect the energy and dynamism a one can have from the off-road pickup ride.

“The First Ever Ranger Raptor”, but for us a second-time pleasure to work on Ford Motor Company’s stunning visual materials.

Together with Ogilvy USA, we had a pleasure to create branding video revealing Corteva Agriscience logo. The agriculture company was born this year with leading positions in Seed Technologies, Crop Protection, and Digital Agriculture, so the video had to be as blooming as Corteva itself.

Together with Ogilvy USA, we had a pleasure to create branding video revealing Corteva Agriscience logo. The agriculture company was born this year with leading positions in Seed Technologies, Crop Protection, and Digital Agriculture, so the video had to be as blooming as Corteva itself.

We had a pleasure to create a very green and healthy video revealing Corteva Agriscience logo. We have built mock-ups, planted thousands of various seeds and watched them grow before our very eyes. We used high-speed Phantom camera and motion control to record tiny details of this amazing, living process. The video shoot was taken in Warsaw.

We had a pleasure to create a very green and healthy video revealing Corteva Agriscience logo. We have built mock-ups, planted thousands of various seeds and watched them growing before our very eyes. We used high-speed Phantom camera and motion control to record tiny details of this amazing, living process. The video shoot was taken in Warsaw

We had a pleasure to create a very green and healthy video revealing Corteva Agriscience logo. We have built mock-ups, planted thousands of various seeds and watched them growing before our very eyes. We used high-speed Phantom camera and motion control to record tiny details of this amazing, living process. The video shoot was taken in Warsaw

We had a pleasure to create a very green and healthy video revealing Corteva Agriscience logo. We have built mock-ups, planted thousands of various seeds and watched them growing before our very eyes. We used high-speed Phantom camera and motion control to record tiny details of this amazing, living process. The video shoot was taken in Warsaw

AT_corteva_img_01
AT_corteva_img_02
AT_corteva_img_03
AT_corteva_img_04
AT_corteva_img_05
AT_corteva_img_06

Making of

“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”

“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”

“I first went to Ars Thanea a few years ago for their CG animation. Their techniques and storytelling are impeccable, crafted and easily on par with any firm in the US. But what has kept me coming back, year after year, client and client, is the way they go beyond CG into new, more breakthrough visual thinking. I didn’t ask them to combine sculpture, Phantom cameras, ferrofluid and motion control, or to animate and shape live-growing plants into time-lapse sculptures. They partner, they listen— and then they take you somewhere new. This is their true value, from concept to execution. They’re your secret weapon. And I love bringing my clients in. The experience is so positive and creatively energizing for the relationship— it always leads to more, great work.”

Mike Hahn, Executive Creative Director at Ogilvy New York

Credits

Credits

Credits

Agency: Ogilvy USA

Executive Creative Director: Mike Hahn
Creative Directors: Niels West, Thiago Cruz
Art Director: Gina Senese
Copywriter: Sean Decker
Producer: Nicole Severi
Account: Katie Connolly

Agency: Ogilvy USA

Executive Creative Director: Mike Hahn
Creative Directors: Niels West, Thiago Cruz
Art Director: Gina Senese
Copywriter: Sean Decker
Producer: Nicole Severi
Account: Katie Connolly

Production: Ars Thanea

Executive Creative Director: Piotr Jaworowski
Art Directors: Maciej Mizer
Producers: Marta Król, Jan Wołowski
Production Manager: Magdalena Błocian
Director: Jakub Laskus
DOP: Mateusz Dziekoński
Studio & Motion Control: Bites.
Timelapse: Daniel Truszkowski
Art. Department: Edyta Słowik
Producer (Bites): Katarzyna Lachowicz
Production manager (Bites): Dominik Orpel
Stage manager: Piotr Łazanowski
Motion Control Operator: Michał Raczyński
Phantom Technician: Łukasz Mergner
Gaffer: Rafał Okyne
Light & Light Crew: Heliograf
Stage hand / SFX support: Paweł Kwarciak, Rafał Wiśniewski
Edit: Wojciech Włodarski
Color correction: Fred van Eden
Online: Paweł Kozubowski
Making of: Only Only

Production: Ars Thanea

Executive Creative Director: Piotr Jaworowski
Art Directors: Maciej Mizer
Producers: Marta Król, Jan Wołowski
Production Manager: Magdalena Błocian

Director: Jakub Laskus
DOP: Mateusz Dziekoński
Studio & Motion Control: Bites.
Timelapse: Daniel Truszkowski
Art. Department: Edyta Słowik
Producer (Bites): Katarzyna Lachowicz
Production manager (Bites): Dominik Orpel
Stage manager: Piotr Łazanowski
Motion Control Operator: Michał Raczyński
Phantom Technician: Łukasz Mergner
Gaffer: Rafał Okyne
Light & Light Crew: Heliograf
Stage hand / SFX support: Paweł Kwarciak, Rafał Wiśniewski
Edit: Wojciech Włodarski
Color correction: Fred van Eden
Online: Paweł Kozubowski
Making of: Only Only

We would love to keep you updated

We would love to keep you updated

We would love to keep you updated

New York

225 Broadway, 40th Flr
New York, NY 10007, USA
+1 332 331 8730
newyork@arsthanea.com

Warsaw

ul. Wiertnicza 39A
02-952 Warsaw, Poland
+48 530 000 795
warsaw@arsthanea.com

Inquiries

Marta Krol
Head of Production
+48 530 000 795
marta.krol@arsthanea.com

© 2019 Ars Thanea (SYZYGY Group). All rights reserved. Privacy Policy

© 2018 Ars Thanea (SYZYGY Group).
All rights reserved. Legal Stuff.